Bug Martini

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What I’ve Learned in My First Year of Webcomics

by Adam on November 21, 2010 at 11:26 pm
Posted In: blog

During an interview with Tom Racine at Tall Tale Features, I was asked what I would tell other webcartoonists who are just starting out. I didn’t really have much of an answer. I eventually responded, in regards to the inner workings of web design: “If you’re not sure, don’t do it.”

Now I still feel that’s sound advice, but I think I can offer a little more. So with that in mind, here’s a list of things I’ve learned after doing a webcomic for a year:

You’re going to make mistakes, and that’s OK. I told myself this when I gave up on submitting comic strips to syndicates and decided to take a stab at webcomics. Unfortunately, I had no knowledge of how to do a webcomic. I did my best to learn the technical aspects of webcomics but I knew mistakes were unavoidable. The best thing to do is accept it and learn from what mistakes you will inevitably make. The “pre-forgiveness” I gave myself helped keep me calm during moments of crisis.

If you hate drawing your comic: STOP! I drew a different webcomic before the one I’m currently working on. It was a cute idea but after a hundred strips, I was sick of it. It became increasingly difficult to write for and just wasn’t fun to work on. But I kept working on it because I felt I had to. Drawing a webcomic is a job, and it is work, but it shouldn’t be a grueling chore. I eventually stopped drawing that first comic and gave myself a couple of weeks to reevaluate the strip and see if I could come up with a better idea. Thankfully, I found a much better strip that feels more natural to write and draw. I had to draw the wrong strip to realize what the right strip was.

Make a least one meeting with a copyright / trademark lawyer. At some point, once you feel you got a handle on your comic and it’s cast of characters, go find a lawyer and make sure your comic is not infringing on someone’s already established property. The lawyer I saw charged $100 just for a meeting but it was money well spent. I learned a lot. You don’t want to get hit with a cease & desist letter from a company with deeper pockets than yours.

Free time WILL be sacrificed. I used to see my friends every Tuesday night. That doesn’t happen anymore. Now not everyone will have to give up as much. And to be honest, if I worked a little harder on the weekends I could probably see them more often, but then I’d lose my weekends. No matter what I do, I’m gonna lose some free time. You have to really want to draw a webcomic. Don’t go into this thinking you can still do ALL the fun things you used to do. You can’t have your cake and eat it too.

That’s all I can think of right now. I’ve learned more but those are the big ones; the important stuff I think all beginning cartoonists should know and keep in mind. If you’re a webcartoonist, please comment on the things you’d tell folks just starting out. I’m sure I can learn a thing or two as well.

25 Comments

Exit, Stage Left

by Adam on November 14, 2010 at 11:29 pm
Posted In: blog

“Good artists copy, great artists steal.”  –  Pablo Picasso

I was looking at other webcomics a few days ago and saw something I never noticed before on Matt Forcum’s website (Matt does a wonderful webcomic titled Robot Beach – click here to check it out). He has an audio blog on his site! I never would have thought of doing something like that. I have plans to do a podcast someday and an audio blog sounded like a perfect stepping stone. So I did the honorable thing: I contacted Matt and informed him that I was ripping off his idea (actually, I asked if he’d mind if I followed in his footsteps and he granted me his blessing).

So I got myself an account on audioboo, whipped up an icon for the link, and threw it in the left sidebar. But after I did that, I felt that the twitter icon looked rather shabby in comparison. So I decided to give it a revamp. I like it a lot more. The original one was cute but the new one is simpler and bolder.

Now I felt I was all done.

Then I took a long gander at the donation button. At first, I thought,”Crap, now I gotta change that one too.” But the idea of redoing that button didn’t sit right with me. The more I looked at it, the unhappier I felt about it’s presence. My plan was to remove it once I had some real merchandise to sell (books, T-shirts, posters). That way I could say, “There’s no reason to donate money to me and get nothing for it. If you want to show your support, go ahead and purchase something from my store.” But the reality is my ad revenue is paying well and that’s all thanks to you guys visiting the site  so, in a way, you’re already donating to the site. Plus, I figure taking down the donation button will kick my butt in gear to make some merch.

So that’s the story behind my changes to the left sidebar. Like ’em? Hate ’em? Lemme know what you guys think.

22 Comments

A Bug Calamity

by Adam on November 10, 2010 at 8:58 am
Posted In: blog

A little while ago Tony Piro, the talented cartoonist behind the comic Calamities of Nature, asked me if I’d like to draw a guest strip for him. It’s a flattering thing to be asked and I had a blast playing around in someone else’s sandbox. Click here to check it out.

3 Comments

Miscast

by Adam on November 8, 2010 at 12:15 am
Posted In: blog

Like musicals? In need of a little culture? Trying to convince a sophisticated gal that you’re not just some slob who sits at home all day and watches the Price is Right? I got the answer for you.

On November 12th, at 7 PM, the Music Theatre of Madison (Wisconsin, that is) will be performing a concert event titled: “Miscast”, where actors play roles that they are, as you may have guessed, humorously miscast in. Admission is free but they’re accepting donations that will be split between the Food Pantry and the Music Theatre of Madison. Click here for more information.

Below is a little piece of promotional art I did for the event. Get yer musical on this Friday!

4 Comments

Cartoonists are Creepy Weirdos

by Adam on October 24, 2010 at 11:44 pm
Posted In: blog

As Halloween approaches, I found myself getting all excited to draw some festively-themed comics. Then, a few days ago, a talented cartoonist by the name of Marc Lapierre drew a wonderful group sketch featuring several zombified webcomic characters – click here to view (see if you can spot yours truly). It dawned on me, after seeing this wonderful pic, that cartoonists, more often than not, love Halloween.

From It’s the Great Pumpkin, Charlie Brown to The Simpsons Treehouse of Horror, cartoonists all over love to get their creepy on. It’s artistically liberating to know that, for a short bit in October, we are allowed to cut loose and draw whatever bizarre, macabre things come to mind. No one gets excited to draw Easter comics (those that do should be monitored by the FBI as a “person of interest”) but once Halloween rolls around, cartoonists everywhere begin giddily scribbling all sorts of ghoulish things.

Do cartoonists love the creative freedom that Halloween offers, or are they just creepy weirdos? The answer is usually a little from column A and a little from column B.

…though most would probably say it’s more like a lot from column B.

3 Comments
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